2010. Mixed media.

[dimensions variable]

Combining sculptural processes with research on biotechnology and the hybrid form, a dreamt-of theory that data could be transferred onto the DNA of vegetables was turned into a multifaceted technological installation. The viewer is invited to move through and explore the work; a cross between an unmanned stage set, a laboratory and a garden plot.

The installation is seen (above) at Cupar arts Festival, Fife, during October 2011, and (below) at Umbrella Artspace, Leeds, in December 2010.